![]() The Wire ushered in a new interest in African American stories Actor Sonja Sohn The Corner became an HBO miniseries, which enabled the 40-year-old Simon to pitch The Wire to HBO’s CEO, Chris Albrecht, and entertainment division president, Carolyn Strauss, as “the anti-cop show, a rebellion of sorts against all the horseshit police procedurals afflicting American television”. Burns became a teacher, and the two collaborated on the 1997 book The Corner: A Year in the Life of An Inner-City Neighbourhood, which examined the futile cruelty of the war on drugs from the other end of the telescope. ![]() After Simon’s 1991 nonfiction masterpiece Homicide: A Year on the Killing Streets became a hit NBC show, Homicide: Life on the Street, which ran for seven seasons between 19, both men quit their jobs. As both of them were blunt, abrasive, fiercely intelligent and morally enraged by the status quo, they became friends. Ed Burns, 14 years his senior, was the detective leading the case. The story began in 1984, when Simon, then a journalist on the Baltimore Sun, was covering the wiretap-related arrest of a local drug lord, Melvin Williams. “David Simon had to fight for every season,” says Clarke Peters (Det Lester Freamon). ![]() ![]() But, while shows such as The Sopranos and Mad Men launched with loud fanfares and walked paths strewn with accolades, strong ratings and Emmy awards, The Wire’s route to the pantheon was a long slog. Photograph: Everett Collection/Rex FeaturesĮxactly 10 years after its final episode aired, The Wire is established as one of the greatest shows in the history of US television – some would say the greatest. Wendell Pierce, Dominic West, Sonja Sohn and Clarke Peters. ![]()
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